Question

ACT I OTHELLO
Write three well developed paragraphs in which you discuss the following:

The strengths of the following characters: Iago, Othello and Desdemona.  Use evidence from the play to support your assertions.

Answer 1

Othello
The play's hero and saint. A Christian Moor and general of the armed forces of Venice, Othello is an articulate and physically ground-breaking figure, regarded by every one of everyone around him. Regardless of his raised status, he is in any case simple prey to frailties due to his age, his life as an officer, and his race. He has a "free and open nature," which his ensign Iago uses to turn his adoration for his better half, Desdemona, into a ground-breaking and damaging desire.
The most apparent quality in my psyche is that Othello is a wonderful general. He is very gifted and is very successful. Othello had the option to speak to the absolute best about a trooper as far as his concentration and commitment. Othello can be effective in light of the fact that he radiates a feeling of certainty and control that others find engaging.
Othello's strengths are obvious at the outset, notwithstanding, as the play goes on, his indecencies are uncovered. His modest and respectable stature, being brought somewhere around Iago uncovers that his believing nature is more a shortcoming than a strength.
Iago
Iago - Othello's ensign (an occupation otherwise called an old or leading figure), and the antagonist of the play. Iago is twenty-eight years of age. While his apparent purpose behind wanting Othello's end is that he has been ignored for advancement to lieutenant, Iago's inspirations are rarely in all respects obviously communicated and appear to begin in an over the top, practically stylish savor the experience of control and devastation.
Iago's shrewd nature is quickly clear – he is a liar and a cheat who gets a kick out of perpetrating torment and enduring on others. He is additionally (in no specific request) narrow minded, traitorous, envious, wrathful, distrustful, negative, pompous and unrepentant.
Desdemona
The little girl of the Venetian congressperson Brabanzio. Desdemona and Othello are subtly hitched before the play starts. While from numerous points of view characteristically unadulterated and quiet, Desdemona is likewise decided and reserved. She is similarly equipped for protecting her marriage, joking indecently with Iago, and reacting with pride to Othello's boundless desire.
Shakespeare has depicted Desdemona to have the two weaknesses and strengths that cause her character to seem typical. Desdemona seems to be an all adjusted individual anyway it is her weaknesses, which realizes her defeat. Desdemona gives barefaced indications all through the entire play that she neglects to acknowledge she is being controlled by the principle bad habit character Iago.
Another shortcoming which can come to view is Desdemona's inclination to jab her nose into Othello's open life, which is unnatural for a lady to do in the Elizabethan time.
Desdemona likewise demonstrates shortcoming in enabling men to abuse her; in the start of Othello, her dad abandons her, Iago utilizes Desdemona for his own vengeance all through the entire play, and after that Othello who disregards and quiets her for honestly dissenting to restore Cassio. Regardless of these weaknesses, her strengths do radiate through her activities and words. Desdemona shows fearlessness to repulse against her dad when he articles to her adoration for Othello, and there is a redundancy of this repulsing against Othello later in the play.

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