Article

one punch man

by Jelloy

Saitama cannot recapture his passion, excitement, and sense of purpose when first becoming a hero. Now even the mightiest enemy poses no challenge. This boredom and detachment from his hero work further distances Saitama from others. Saitama’s extreme power isolates him emotionally. His strength makes it impossible to experience struggle, fear, or defeat. As a result, Saitama struggles to form meaningful connections. For instance, he remains oblivious to Genos’ reverence towards him as a teacher. Saitama cannot comprehend what drives others to become heroes or the life-or-death stakes they face. This gap in experience prevents Saitama from bonding with people, leaving him perpetually alone.

The clash between Saitama and the invading alien Boros starkly elucidates the depths of Saitama’s isolation. For Boros, their fight represents a historic chance to unleash his strength against a worthy adversary. In contrast, Saitama remains listless and bored, even as Boros overwhelms him with attacks. When Boros unleashes the ‘Collapsing Star Roaring Cannon’ – a strike powerful enough to destroy a planet – Saitama simply yawns before countering it with a ‘Serious Punch’. This casual display of limitless power utterly crushes Boros’ spirit along with his body. Saitama single-handedly defeats Boros’ ultimate technique without the slightest effort.

Their climactic battle illustrates the true tragedy of Saitama’s strength, dooming him to total disconnection from any chance of meaningful combat. Saitama will never again know the thrill of being challenged, the stakes of struggling, or a hard-won victory. Against Boros’ zeal, Saitama’s profound apathy starkly symbolizes his alienation. For all his power, Saitama remains utterly unable to recapture the passion that initially fueled his journey to become a hero.

His overpowering strength has permanently severed him from identifying with fellow heroes or villains who still feel human limitations. Saitama has become a solo actor in a play where only he has memorized all the lines in advance. He trudges on stage out of hollow obligation rather than drive or purpose. The Boros fight offers but one glimpse into Saitama’s psyche – an immortal god trapped in the performance of humanity.

Alienation is a multifaceted socio-psychological phenomenon extensively discussed in academic literature. At its core, alienation refers to a subjective experience of separation from some aspect of one’s intrinsic self or external social reality. Early examinations of alienation originate from existential philosophy. Without objective meaning imposed from external sources like religion or tradition, individuals confronted absurdity and nothingness in charting their own purpose and values (Heidegger, 1962). In social theory, Marx (1987) offered an analytic framework conceptualizing alienation under capitalism. He asserted that when labourers are divorced from ownership over the means and results of production, they become estranged from their creative capacities and fellow humans. Subsequent Marxist scholars extended these ideas, illuminating how capitalist social relations can fragment individuals’ self-identification with their work roles, community involvement, and political participation. Contemporary research continues exploring alienation’s diverse indicators and ramifications.

Saitama’s extreme strength leads to a profound alienation from society that echoes sociological concepts of alienation. Saitama’s isolation aligns with Marx’s idea of alienation from productive activity. As a hero, Saitama no longer finds meaning or purpose in the “work” of fighting villains because it has become effortless for him. He tackles enemies with the same mundane routine as any office job.

Saitama has become alienated from the validation and fulfilment his hero work once provided him. Similarly, Saitama’s disconnection from other heroes parallels Marx’s concept of alienation from the species-being. His power isolates him from the collective purpose and identity heroes share. Saitama cannot relate to the struggles of binding heroes together or finding companionship through shared experiences. His species-being as a hero remains out of reach.


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